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But I'm very, very spoiled in Denmark work-wise so I've never really felt the need to conquer.The following review contains some spoilers…
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Just to act in English would be something. Does Grabol fancy a second life as an English-language actress? "I'm open, if there is an interesting role coming up from, say, the UK. That has been followed by a romantic drama (Grabol's stock in trade before The Killing) called Det Andet Liv, which roughly translates as "second life". "I'm 44 now and I've been working since I was 17."ĭespite a cameo in the 2011 Absolutely Fabulous Christmas special, Grabol has remained in Denmark, doing theatre (reprising her role in Fanny and Alexander) and starring in a psychological thriller from Danish Dogme director Soren Kragh-Jacobsen, Hour of the Lynx, in which she plays a priest. "I don't really have a hunger," she admits. "I'm not made for the world – I'm made for Denmark," Sofie Grabol told me after wrapping the final series of The Killing, in which she played Copenhagen detective Sarah Lund. Although they all speak fluent English, most have varied and well-established domestic careers. Obviously this is a very Anglo- centric question, the assumption being that these busy actors desire to follow in the footsteps of Mads Mikkelsen (Casino Royale, The Hunt) and the half-Danish Viggo Mortensen work on either British or American productions. But what future for the queens of Scandi-crime once their acclaimed TV hits draw to a close? Can Sofie Grabol (Lund), Sidse Babett Knudsen (Nyborg), Birgitte Hjort Sorensen (Fonsmark) and Sofia Helin (Noren) jump the subtitle barrier and find a wider international audience on the backs of these hit TV series? And more to the point: do they want one?
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They have been a blast of fresh Nordic air – Sarah Lund from The Killing, fictional Danish PM Birgitte Nyborg and ambitious journalist Katrine Fonsmark in Borgen, and Saga Noren from The Bridge being the sort of strong, multi-faceted and (crucially) more mature female protagonists rarely seen in television drama.
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